Quimby’s
Gloriana is a long-form poem in graphic form, and within its pages, Kevin Huizenga exposes the mechanics that underpin everyday life. His protagonist, Glenn Ganges, has conversations about dish soap and library visits that are both faithful depictions of mundane interactions and existential dissections of the units that construct our lives.
Dan Zettwoch’s Birdseye Bristoe celebrates the visual complexity of our world, and the impossibility of distilling this into a single digital signal. In Birdseye Bristoe, there are homes rigged entirely from bungee cords and 3-liter soda bottles, geodesic domes that have been turned into jungle gyms, an array of lawn-mowing routes, and guessing games inspired by the ambiguity of religious and heavy metal iconography.
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